DIBUJANDO SIN MIRAR

Vacíos de voz III, IV. Mixed technique, fragmented and hand sewn painted canvases, 41 x 63 cm ea, 2018.
Vacíos de voz III, IV. Técnica mixta, fragmentos de pintura cosidos a mano, 41 x 63 cm c/u, 2018.

N.2, Open Book Blue,  fragmented and hand sewn painted canvases and paper, 230 x 210 cm, 2018.
N.2, Libro Abierto Azul, fragmentos de tela y papel pintados e hilvanados, 230 x 210 cm, 2018.

N.1, Open Book, fragmented and hand sewn canvases, 150 x 146 cm, 2015.
N.1, Libro Abierto, fragmentos de telas intervenidas y cosidas, 150 x 146 cm, 2015.

Vacíos de voz, open box. Mixed media (painting, poem and objects), 85,5 x 46 x 9 cm, 2019.
Vacíos de voz, caja abierta. Técnica mixta (pintura, poema y objetos), 85,5 x 46 x 9 cm, 2019.

Black and Red Intervened Painting, mixed technique (embroidery on oil and natural pigments), 2020.
Negra y Roja, técnica mixta (bordados sobre óleo y pigmentos naturales), 2020.

Exhibition view, Le lent demain, Air de Paris, Romainville, 2026. Photo : Grégory Copitet.
Vista de la exposición, Le lent demain, Air de Paris, Romainville, 2026. Foto: Grégory Copitet.

Exhibition view, Le lent demain, Air de Paris, Romainville, 2026. Photo : Grégory Copitet.
Vista de la exposición, Le lent demain, Air de Paris, Romainville, 2026. Foto: Grégory Copitet.

“Like Guy Gilles, the participating artists adopt a sensitive rather than demonstrative stance—a way of looking at the world askew. For them, creation is inseparable from life: it follows its rhythm and its metamorphoses. Man and artwork nourish one another, until they form an autonomous organism capable of absorbing the surrounding world and reconfiguring it. They don’t invent mirages or create illusions but intensify reality to reveal what is latent within it, and to unfold its possibilities.”

“The artists of the exhibition revisit intimate territories and shift perceptions in order to recompose memory in fragments. Emotions from the past reappear as transfigured murmurs, awakening sensations that arise despite oneself, letting the past vibrate in the present. They develop a singular artistic gesture, on the edge of poetry, which seeks less to narrate than to awaken sensitivity, outsideall orthodoxy”.

Curatorial text by Sebastián Quevedo Ramírez

https://airdeparis.com/exhibitions/2026/lelentdemain/

Photos by Grégory Copitet. Courtesy Air de Paris, Romainville | Grand Paris

Photos by Grégory Copitet. Courtesy Air de Paris, Romainville | Grand Paris