This series of photographs records the interventions made in ‘fields’ where seaweed is harvested in the north of Chile. The archive of images documents on a daily basis the different ways in which the material is handled. The interest lies in how, in this localised practice in a remote area, the fields of seaweed become metaphorical extensions of the practice of painting. Through these archives Aninat reveals how “her interest is centred on practices that persist far removed from mass production and global capitalism, and that these practices in some way allude to that which is incomplete, left over, and belongs to the daily routines that we all take part in.”