N. 6, South-American Series. Fragmented and hand sewn painted canvases. 1000 x 600 cms. 2015. Credits: Proyectos Monclova Gallery.
N. 6, Serie Sudamérica. Fragmentos de telas preparadas, pintadas y cosidas. 1000 x 600 cms. 2015 Créditos: Galería Proyectos Monclova.
N. 5, South-American Series. Fragmented and hand sewn painted canvases. 1000 x 600 cms. 2015. Credits: Sebastián Mejía.
N. 5, Serie Sudamérica. Fragmentos de telas preparadas, pintadas y cosidas. 1000 x 600 cms. 2015 Créditos: Sebastián Mejía.
N. 4, South-America Series. Fragmented and hand sewn painted canvases. 860 x 360 cms. 2012. Credits Nicolás Rupcich.
N. 4, Serie Sudamérica. Fragmentos de telas preparadas, pintadas y cosidas. 860 x 360 cms. 2012. Créditos Nicolás Rupcich.
N. 8, South-America Series. Fragmented and hand sewn painted canvases. 860 x 360 cms. 2022.
N. 8, Serie Sudamérica. Fragmentos de telas preparadas, pintadas y cosidas. 860 x 360 cms. 2022.
Fragmented canvases hand sewn by patients at the waiting room of the hospital.
Registro de fragmentos de pinturas hilvanadas por los pacientes
N.1, South-American Series. Fragmented and hand sewn painted canvases. 760 x 320 cms. 2005.
N.1, Serie Sudamérica. Fragmentos de telas preparadas, pintadas y cosidas. 760 x 320 cms. aproximados. 2005
N.2, South-American Series. Fragmented and hand sewn painted canvases. 260 x 550 cms. 2007. Credits Oswaldo Ruiz.
N.2, Serie Sudamérica. Fragmentos de telas preparadas y cosidas. 260 x 550 cms. 2007. Créditos: Oswaldo Ruiz.
N.3, South-American Series. Fragmented and hand sewn painted canvases, cardboard and newspapers. 300 x 620 cms. 2007. Credits: Oswaldo Ruiz.
N.3, Serie Sudamérica. Fragmentos de telas preparadas y cosidas, cartones y diarios. 300 x 620 cms. aprox. 2007. Créditos: Oswaldo Ruiz.
In the South American Series the process starts when the artist prepares and paints canvasses that are shortly afterwards torn apart and handed to different people who are invited to complete the process by bringing the pieces back together. A quick basting serves to articulate the process, as this way of binding them doesn’t require any sort of previous training and anyone can use their spare time to stick one fragment to another. Along with their stitches participants can shape their invisible thoughts and bring them to the artist, who following the idea of assembling pieces of a jigsaw joins together the various cloths that have been delivered to her. This act brings together different time frames within one work that is exhibited containing within it the indecipherable traces and interpretations of those who have participated in its making.
The South American Series is a project that plays with the artist’s authorship by opening the work up to the dynamic participation of the community. It also ironically alludes to the idea of South America as one single continent.